Indie versus Trad Publishing
When impatience rules my psyche, will introspection calm my desire for immediate gratification through Independent Publishing?

I've been sitting on my unpublished novel for a year.
In that year, I've sent out >151 queries to Literary Agents. I've received 100+ rejections. With many agents ghosting authors and new agents appearing every week, where does it end? Novel submissions to publishers may take a year to respond.
In that time, what could I have achieved through indie publishing?
The Dream
A traditional publishing deal is an easy route to a good reputation and selling more books. A publisher's name and logo on the spine of my book is comforting. Call it elitism or authenticity. My book is one of many chosen and curated for distribution. I see it sold in airport kiosks.
The reality
A traditionally published book, necessitating a literary agent, won't hit the shelves until 2026 or 2027. This same book will be run through the wringer to meet the needs of the publisher. I may see $10K or more upfront for my efforts, but little in royalties thereafter. Subsequent books will have to run through the same gauntlet. Representation, submission, revision and repeat.
Some Humbling Truths
- I am an unknown author with no reputation.
- My books will rise or fall based on my marketing efforts alone.
A publisher will support an author's book for up to six months, more if it's successful. Books come out with a big fanfare and fade beneath the noise of the next release.
- Having a print/ebook copy of my book means I can get reviews from trending channels for audience growth: Bookstagrammers and Booktok communities. Win over a good reviewer, be strategic with free copies, the book may sell well.
- I see Indie authors publishing 2, 3, books in the time I haven't published my 1 book. It's painful. I could have a book out there and be building my audience for subsequent books. This is the hustle and grind culture.
- In publishing, there is no immediate gratification. You will never have enough followers willing to buy your work. There is no consistent form of advertising to sell books. Social Media is a scam. Everyone is trying to sell you consulting services, a book, or advice.
- While a traditional publishing name will be excellent on your book cover, the publisher has control of how long your book stays in print and subsequent audiobooks, ebooks, etc. Having a literary agent, your book can die on submission. If your book dies with the publisher, it dies. Independently published authors don't have this issue. You make less in the short run but you own your property and have control of its availability for the long run.
The era of corporations/big publishers is dying a slow death. You have only to look at the back of award winning novels to see that they were published independently or that a small hybrid or boutique publisher took a chance on them.
Assumptions
- If the book is compelling and a half decent read, it will sell.
- If I earn a reputation with book 1, I will find selling book 2 to be easier. The audience will have grown by book 3. The old adage is true: If you build it, they will come.
An aside: While on workterm in Sri Lanka in 1997 I was stunned by the attitude, build and show them how it looks. Once they see it, the market will circle around it with growing demand. This was the way touch-pos systems, silicongraphics, and oracle were integrated to digitalize once manual processes.
Fears & Arguments
- To date, I've had no traction with the gatekeeper literary agents. Does this mean my work is subpar? I've had it on good authority by an avid fantasy reader that my writing is good (& accessible), better than others.
- Is the reason I'm not getting traction on my novel because of the Hindu religious undertones. Possibly, Kaikeyi by Vaishnavi Patel was controversial. Sensitivity readers give me confidence! I am checking my work!
Is it because I'm brown? Side rant. You hear a lot about DEI and I have read 151 agent's Manuscript WishLists that ask for stories from BIPOC people and #ownvoices. I've met editors who wanted a South Asian based Fantasy. Then why isn't my book getting any traction? Is it that there are that many other authors with works that are more intriguing than mine or is it that these very same agents have already cherry picked the 1 book out of the 10 they will represent that will be their DEI contribution? The gatekeepers are all subjective.
Is it because my work is different?
I believe this is plausable. My novel doesn't fit a circular mold. It's Fantasy but it's also Historical Fiction based on Folklore. I think this is the reason I haven't had traction for my work. It's too hard to fit into a comfortable box. It's too difficult to fact check. It's too grey an area for a Western based editor or literary agent to straddle. It's rejected subjectively because they have no way of making sure what I'm writing is true or false without committing far more of their time and energy than they would like.
Rejection Letter 1
Dear DM,
Thank you so much for your query, but I am going to pass at this time. Unfortunately, I don't believe I'm the right agent to champion this piece. Thank you for considering me for your work, and I wish you luck in your writing future.
In your search for the perfect agent, you may want to check out Writer's Digest Guide to Literary Agents blog. We have found it to be a great resource for finding new agents who are looking to build their lists.
Warm regards,
Literary Agent
Rejection Letter 2
DM,
Thank you so much for considering Our Agency in your search for representation. I appreciate you giving me the opportunity to review your work. Unfortunately, as I am just one person, I can only take on a few projects and I don't think this one is right for me. However, I wish you the best luck in your search for the right agent and hope everything works out as it should.
Best,
Literary Agent
Rejection Letter 3
Dear DM,
Thank you for taking the time to consider me as your literary agent. I recognize that sharing your creative work is a very personal thing, and I appreciate you trusting me with your art.
I've had time to review your submission materials, and unfortunately, I did not connect with them in the way that you want for someone who represents your work. Any advocate for your work should be utterly enamored with your story, and sadly that was not me at this time.
I recognize this likely isn't what you wanted to hear, but please understand this is just one agents opinion. If you have another work that you feel would be a better fit for me, or make changes to this one, please do not hesitate to send it my way while I am open to queries. I wish you nothing but the best in your writing endeavors!
All my best,
Agent
Rejection Letter 4
Dear DM,
Thank you so much for the opportunity to consider TITLE. While there were elements of your pitch that I enjoyed, in the end, I do not have the enthusiasm for this project to be the right person to champion it forward. Please keep in mind that publishing is highly subjective, so what doesn't work for me will work for someone else. Keep querying and writing, and I believe you will find every success in your publishing journey.
With best wishes,
Agent
Literary Agency
Is there a market for my work?
Absolutely. The hardest part is giving it wings.